1850-1899

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Plays

Arms and the Man

Bloomsbury Publishing
Type: Text

Although Arms and the Man derives its title from a translation of Virgil’s phrase ‘arma virumque’ in the Aeneid, it does not reflect the subject or mood of the classical epic poem about mythic heroes waging war. Rather, the play is a light-hearted mixture of domestic and romantic comedy. Additionally, although the Serbo-Bulgarian war of 1885 provides a backdrop for the play, and military action is often discussed amongst the characters, it is never enacted.

The play predominantly deals with class conflict and twisted love affairs, detailing the illicit romance between Raina Petkoff and fugitive Swiss officer Captain Bluntschli, and the equally salacious relationship between Raina’s fiancé, Major Sergius Saranoff, and housemaid Louka. Despite the secrecy of these flirtations, there exist two very obvious tokens of the couples’ respective affection onstage – Saranoff’s coat that Raina gives to Bluntschli, and the bruise that Saranoff leaves on Louka’s arm. As such, George Bernard Shaw renders his somewhat commonplace plot line more interesting with a satirical self-awareness, imbuing the text with obvious theatricality, whimsy, and even burlesque. Rather than imparting a sense of realism, Shaw’s comedy is illusory, fictional, and overtly performative.

Arms and the Man debuted on the London stage in 1894.

audio Arms and the Man

LA Theatre Works
Type: Audio

It's 1885, and Raina's bourgeois Bulgarian family is caught up in the heady patriotism of the war with Serbia. The beautiful, headstrong Raina eagerly awaits her fiancé's victorious return from battle - but instead meets a soldier who seeks asylum in her bedroom. This is one soldier who definitely prefers romance and chocolate to fear and bullets. War may be raging on the battlefield, but it's the battle of the sexes that heats up this extraordinary comedy and offers very different notions of love and war.

An L.A. Theatre Works full-cast performance featuring Al Espinosa, Jeremy Sisto, Teri Garr, Anne Heche, Micahel Winters, Jason Kravits and Sarah Rafferty.

Featuring: Al Espinosa, Jeremy Sisto, Teri Garr, Anne Heche, Micahel Winters, Jason Kravits, Sarah Rafferty

Arrah-na-Pogue

Bloomsbury Publishing
Type: Text

Written in 1864 and set during the Irish rebellion of 1798, Arrah na Pogue is an rollicking tale of romance and misadventure with rascally rebels, despicable villains and love-struck youths.

As night falls on the Wicklow mountains, the popular but incorrigible rebel Beamish MacCaul is lying in wait. He’s out to ambush the cowardly rent-collector Michael Feeny and collect some rent from him in turn. That done, he’s off to marry Fanny Power. Down in the valley, love is in the air for Shaun the Post and the play’s heroine Arrah Meelish too. But Arrah has a secret, and Michael Feeny has found it out. As Shaun and Arrah celebrate their wedding, revenge comes a-calling. Now love must conquer all – including the hangman’s noose. The play is brim-full of Boucicault’s trademark comic roguery, farce and melodrama.

audio Candida

LA Theatre Works
Type: Audio

Shaw’s warm and witty play challenged conventional wisdom about relationships between the sexes. A beautiful wife must choose between the two men who love her. A Court Theatre Company co-production.

An L.A. Theatre Works full-cast performance featuring Tom Amandes, Christopher Cartmill, Rebecca MacLean, David New, Nicholas Rudall and JoBeth Williams.

Featuring: Tom Amandes, Christopher Cartmill, Rebecca MacLean, David New, Nicholas Rudall, JoBeth Williams

Creditors (trans. Greig)

Faber and Faber
Type: Text

Anxiously awaiting the return of his new wife, Adolph finds solace in the words of a stranger. But comfort soon turns to destruction as old wounds are opened, insecurities are laid bare and former debts are settled.

Regarded as Strindberg's most mature work, Creditors is a darkly comic tale of obsession, honour and revenge. David Greig's version premiered at the Donmar Warehouse, London, in September 2008.

Cuckold Ubu

Nick Hern Books
Type: Text

Alfred Jarry’s Cuckold Ubu (Ubu Cocu) is the second in his cycle of Ubu plays about Pa Ubu, the grotesquely comical character first encountered in King Ubu (Ubu Roi).

This version is translated by Kenneth McLeish, who in his introduction to the published text calls the play 'the darkest and most surreal of the [Ubu] plays.' It is relatively short compared to its predecessor King Ubu, and is incomplete: Jarry never produced a definitive version of the play. He is believed to have begun its composition in 1897, a year after the premiere of King Ubu, and it was performed in various versions during his lifetime. It is written in the same style as King Ubu, with a characteristic combination of surrealism, ribaldry and biting satire.

The action of the play is summarised by McLeish as follows: 'Pa Ubu takes up residence in the home of Peardrop, a breeder of polyhedra, and he and his Barmpots tyrannise the neighbourhood, despite the efforts of Pa Ubu’s Conscience and Peardrop to stop them. There is war, led on Peardrop’s side by Memnon (the singing Egyptian statue with whom Ma Ubu is cuckolding Pa Ubu) and by the banker Swankipants, and eventually a crocodile appears in true Punch-and-Judy style to chase off all the others. (We don’t know whether it does or not: the play as it survives is incomplete.)'

audio Cyrano de Bergerac

LA Theatre Works
Type: Audio

Cyrano is a brash, strong-willed man of many talents whose whimsical aptitude for the spoken word is overshadowed by an attribute that is iconic, outrageous and gigantic—his nose. How can the curiously-snouted Cyrano ever hope to win the affections of the beautiful Roxane? Includes a conversation with Sue Lloyd, author of “The Man Who Was Cyrano: A Life of Edmond Rostand.” An L.A. Theatre Works full cast recording, featuring Caroline Aaron, Hugo Armstrong, Kalen Harriman, Gregory Itzin, Hamish Linklater, Anna Mathias, Morgan Ritchie, Jason Ritter, André Sogliuzzo, Devon Sorvari, and Matthew Wolf Directed and adapted for radio by Barry Creyton and recorded before a live audience.

Featuring: Caroline Aaron, Hugo Armstrong, Kalen Harriman, Gregory Itzin, Hamish Linklater, Anna Mathias, Morgan Ritchie, Jason Ritter, André Sogliuzzo, Devon Sorvari, Matthew Wolf

audio The Devil's Disciple

LA Theatre Works
Type: Audio

Shaw stands “do or die” melodrama on its head in this tale set during the American Revolution. A young hero who disdains heroism makes the ultimate sacrifice for honor and country.

An L.A. Theatre Works full-cast performance featuring Jennifer Albright, Pat Carroll, Stanton Davis, Bruce Davison, Richard Dix, Richard Dreyfuss, David Bryon Jackson, Lisa Pelikan, Derek Smith and Jon Tindle.

Featuring: Jennifer Albright, Pat Carroll, Stanton Davis, Bruce Davison, Richard Dix, Richard Dreyfuss, David Bryon Jackson, Lisa Pelikan, Derek Smith, Jon Tindle

video The Devil’s Disciple (BBC film adaptation)

BBC Video
Type: Video

The Revolutionary War serves as the backdrop for this brilliant satire penned by Bernard Shaw. Self-professed ‘devil's disciple’ Dick Dudgeon (Mike Gwilym) -- who long ago scorned the piety and traditional values of his mother (Elizabeth Spriggs) -- returns home when his father dies. But after the British army arrives on the scene to lynch the village minister (Patrick Stewart), Dick finds that he can't escape his moral underpinnings.

Credits:

Director: David Jones; Producer: Shaun Sutton; Lighting: Howard King; Playwright: Bernard Shaw; Composer: Stephen Oliver; Designer: Tony Burrough; Costume Designer: Odette Barrow; Script Editor: Stuart Griffiths; Cast: John Cater: Uncle Titus Dudgeon; June Ellis: Mrs Titus Dudgeon; Patrick Godfrey: Lawyer Hawkins; Mike Gwilym: Richard Dudgeon; Timothy Kightley: Chaplain; Larry Lamb: Sergeant; Cheryl Maiker: Essie; Patrick Newell: Uncle William Dudgeon; Ian Richardson: General Burgoyne; Freda Rodgers: Mrs William Dudgeon; Elizabeth Spriggs: Mrs Dudgeon; Patrick Stewart: Anthony Anderson; Graham Turner: Christy Dudgeon; Benjamin Whitrow: Major Swindon; Susan Wooldridge: Judith Anderson.

Distributed under licence from Educational Publishers LLP

audio A Doll House

LA Theatre Works
Type: Audio

Nora Helmer has everything a young housewife could want: beautiful children, an adoring husband, and a bright future. But when a carelessly buried secret rises from the past, Nora’s well-calibrated domestic ideal starts to crumble. Ibsen’s play is as fresh today as it was when it first stormed the stages of 19th-century Europe.

An L.A. Theatre Works full-cast performance featuring:

Calista Flockhart as Nora Helmer

Tony Abatemarco as Dr. Rank

Tim Dekay as Torvald Helmer

Jeannie Elias as Anne-Marie/ Helene

Gregory Itzin as Nils Krogstad

Jobeth Williams as Mrs. Linde

Translated by Rolf Fjelde. Directed by Rosalind Ayres. Recorded before a live audience at the James Bridges Theater at UCLA School of Theater, Film and Television in September, 2011.

Featuring: Tony Abatemarco, Tim DeKay, Jeannie Elias, Calista Flockhart, Gregory Itzin, JoBeth Williams