1961-1970

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Plays

After Haggerty

Bloomsbury Publishing
Type: Text

Gathering together the political and social concerns of an era, After Haggerty addresses with breadth and complexity the politics of theatre and personal liberation at a time when social certainties were being rapidly destabilised.

Bernard Link, a socialist middle-aged theatre critic, has leased a flat in London from Mr Haggerty without having met him. Claire, who is sharp, brittle and American, storms into the flat expecting to find the father of her child, but finds Bernard instead. He is having the flat done up by a couple of jobbing decorators, including an out-of-work homosexual actor. The unhappy cohabitation of this mixture of people is punctuated by excepts from Bernard’s pan-European lectures on Marxist theatre, cryptic telegrams from Haggerty in Paris, and the off-stage squalling of Claire and Haggerty’s baby, Raskolnikov. Then Bernard’s father visits, his reactionary, bigoted views clashing with what suddenly feels like a household.

After Haggerty was first presented in 1970 at the Aldwych Theatre, London.

audio After the Fall

LA Theatre Works
Type: Audio

Arthur Miller’s famous autobiographical drama takes place inside the tortured mind of a 40-year-old lawyer. Quentin is haunted by his disastrous affair with a needy sex symbol - a character rumored to be based on Marilyn Monroe, Miller’s second wife.

Featuring: Amy Brenneman, Anthony LaPaglia, Amy Pietz, Amy Aquino, Gregory Itzin, Claudette Nevins, Natalija Nogulich, Al Ruscio, Raphael Sbarge, Kenny Williams

Ars Longa Vita Brevis

Bloomsbury Publishing
Type: Text

In their introduction to the play, authors Margaretta D'Arcy and John Arden say of Ars Longa Vita Brevis: 'This little piece is not exactly a play, nor is it anything else in particular. If we must call it something, it might well be termed "A Theme for Variations."'

A satirical play, Ars Longa Vita Brevis draws comparisons between education and military conquest, suggesting that the result of both is the suppression of individual expression, and, ultimately, the death of the individual, as seen in the life of the martially-minded art master Mr Miltiades. The free rein the authors give to the possibility for production is in marked contrast to the damning, and ultimately damned, techniques of the protagonist of the piece.

audio Barefoot in the Park

LA Theatre Works
Type: Audio

A brand-new lawyer and his bride have returned from their honeymoon and are moving into a new apartment. Once there, they find the place is bare of furniture, the paint job is wrong, the skylight leaks and wacky neighbors keep popping up! A classic!

Includes an interview with Marc Masterson, the Artistic Director of South Coast Repertory in Costa Mesa, California. Before joining South Coast in 2011, Marc was the Artistic Director of the Actors Theatre of Louisville for eleven seasons, and programmed the prestigious Humana Festival of New American Plays. During his tenure in Louisville, Marc directed a number of classic and contemporary works, including a highly-praised production of Neil Simon’s Barefoot in the Park.

An L.A. Theatre Works full-cast performance featuring Norman Aronovic, Laura Linney, J. Fred Shiffman, Judy Simmons and Eric Stoltz.

Featuring: Norman Aronovic, Laura Linney, J. Fred Shiffman, Judy Simmons, Eric Stoltz

The Beggar or The Dead Dog

Bloomsbury Publishing
Type: Text

As a young university student in Munich, Bertolt Brecht was only a few years away from early success as a playwright when he wrote five one-acts. Of these plays, only one was performed in his lifetime, and none were published until after his death. They provide a retrospective look at Brecht before his evolution into the founder of epic theatre, demonstrating some of the tendencies that would mark his later work.

In The Beggar, a beggar dares to speak the truth to an emperor when the emperor descends to complain about the smell. It was neither produced nor published during the author’s lifetime.

Bones

Bloomsbury Publishing
Type: Text

In a rundown porn cinema in 1960s Gateshead, two Jewish brothers are at war with each other. Their business is on the verge of bankruptcy and they owe a shedload of money to a local gangster. But all their problems seem to be over when one of them kidnaps Reggie Kray . . .

Sharp, uncompromising and witty, Bones is a deliciously dark comedy about family ties, gangland warfare and a man in a dress.

Bones premiered at Live Theatre, Newcastle in 1999.

The Catch

Bloomsbury Publishing
Type: Text

As a young university student in Munich, Bertolt Brecht was only a few years away from early success as a playwright when he wrote five one-acts. Of these plays, only one was performed in his lifetime, and none were published until after his death. They provide a retrospective look at Brecht before his evolution into the founder of epic theatre, demonstrating some of the tendencies that would mark his later work.

When a fisherman’s wife is woken up by her drunk husband and his friends, anger and resentments explode. The Catch was neither produced nor published during the author’s lifetime.

The Cellar and the Almond Tree

Bloomsbury Publishing
Type: Text

The Cellar and the Almond Tree is the second part of a trilogy, sometimes called the Kelvin trilogy, with On the Eve of Publication and Emma’s Time. The play is similarly composed of juxtaposed cuts between past and present, fantasy and flashbacks, this time belonging to the Countess Isabel von Reger, and Volubin (who was known to Robert Kelvin in the first play as Sladek).

Beneath the web of conversation and memory are the harsh and troubling realities of conflict and upheaval in central Europe, as the cellar and the almond tree come to represent the constraints of totalitarian regimes and a disappearing aristocratic way of life. Exploring form with the same fluidity as On the Eve of Publication before it, The Cellar and the Almond Tree is a powerful exploration of socialism and memory.

The Cellar and the Almond Tree was first broadcast in 1970 by BBC Television.

audio Ceremonies in Dark Old Men

LA Theatre Works
Type: Audio

This classic play by Academy Award nominee Lonne Elder III gives us the portrait of a Harlem family that dreams of a better life, but pursues it in tragic ways. First produced by the Negro Ensemble Company in 1969, the critically acclaimed Ceremonies in Dark Old Men opened the door for a new generation of African American playwrights, including August Wilson and Lynn Nottage.

An L.A. Theatre Works full-cast performance featuring Rocky Carroll, Brandon Dirden, Jason Dirden, Julia Pace Mitchell, Charlie Robinson, Glynn Turman and Michole Briana White.

Directed by Judyann Elder. Recorded before a live audience at the Skirball Cultural Center, Los Angeles.

Featuring: Rocky Carroll, John Cothran Jr.(Sunday only), Brandon Dirden, Jason Dirden, Julia Pace Mitchell, Charlie Robinson, Glynn Turman, Michole Briana White

Christie in Love

Bloomsbury Publishing
Type: Text

Christie in Love is a distressing investigation into the mind of the infamous serial killer, John Reginald Halliday Christie, who strangled eight women in his flat in Notting Hill in the 1940s and ’50s. It is part of Brenton’s group of ‘Plays for the Poor Theatre’ – plays with minimal theatrical requirements and small casts, but fierce intensity.

In 1953 the police found the bodies of six women concealed in Christie’s house, including his wife. Christie was hanged for their murders, and found subsequently to have committed two others, crimes for which another man was hanged.

The first scene of Brenton’s play opens on a police constable digging for bones in his backyard and reciting obscene limericks. He is joined by a police inspector who tells an obscene joke and warns the constable not to dwell on Christie’s perversions. The play then resurrects and interrogates Christie, turning his mind inside out and refusing the spectator any palliative measure or escape. It is a naturalistic portrait in a bleak and surreal frame.

Christie in Love was first performed in 1969 by The Portable Theatre at Oval House, London.