2001-2010

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Plays

The Absence of War

Faber and Faber
Type: Text

The Absence of War offers a meditation on the classic problems of leadership, and is the third part of a critically acclaimed trilogy of plays (Racing Demon, Murmuring Judges) about British institutions.

Its unsparing portrait of a Labour Party torn between past principles and future prosperity, and of a deeply sympathetic leader doomed to failure, made the play hugely controversial and prophetic when it was first presented at the National Theatre, London, in 1993.

Absolutely! (Perhaps)

Bloomsbury Publishing
Type: Text

Absolutely! (Perhaps) is a sparkling comedy on the elusive nature of reality, in which truth is negotiable and identity is performed. It is an adaptation of Luigi Pirandello’s first play Così è (Se Vi Pare), and opened at the Wyndham’s Theatre in 2003.

In a small Italian town lives Signor Ponza, his wife and his apparent mother-in-law Signora Frola, who he will not allow to visit. With the neighbours gossiping over his cruelty, Signor Ponza claims that Signora Frola is mad and refusing to accept that her daughter is dead, and that he now lives with his second wife. Signora Frola counters the accusation, claiming that Ponza has unwittingly re-married his first wife. Impossibly, the Signora Ponza in question claims to be both daughter and second wife, plunging the play into a tangle of fractious theatricality.

audio Adam's Rib

LA Theatre Works
Type: Audio

A classic battle of the sexes and a courtroom farce, this peerlessly witty examination of husband and wife attorneys was first crafted for Spencer Tracy and Katharine Hepburn. Commissioned by L.A. Theatre Works, David Rambo includes never-before-heard original material in this adaptation of the Oscar-nominated screenplay by Garson Kanin and Ruth Gordon.

An L.A. Theatre Works full-cast performance featuring Adam Arkin, Anne DeSalvo, Paul Eiding, Mary Pat Gleason, Annabelle Gurwitch, Anne Heche, Marvin Kaplan, Loren Lazerine, Robert Lesser, John Pankow, Amy Pietz.

Featuring: Adam Arkin, Anne DeSalvo, Paul Eiding, Mary Pat Gleason, Annabelle Gurwitch, Anne Heche, Marvin Kaplan, Loren Lazerine, Robert Lesser, John Pankow, Amy Pietz

Afterplay

Faber and Faber
Type: Text

1920s Moscow, a small run-down café. Uncle Vanya's niece, Sonya Serebriakova, now in her forties, is the only customer. Until the arrival of Andrey Prozorov, the put-upon brother from Three Sisters.

Afterplay revisits the lives of two characters from Anton Chekhov's plays. It was first produced, with The Bear (also after Chekhov), at the Gate Theatre, Dublin, in March 2002.

The Age of Consent

Bloomsbury Publishing
Type: Text

The Age of Consent places in counterpoint two acutely uncomfortable monologues about childhood, responsibility and the shattering of innocence.

One voice is a teenager awaiting his release from a correctional facility after serving his time for the murder of a child. The other is the young mother of a child performer, ruthlessly scheming for fame and fortune, and making sure her daughter will do absolutely whatever it takes.

The characters are united by a sense of denial, as well as the humanity that can exist behind even the most monstrous abuse. Morris’s controversial and powerful play premiered at the Edinburgh Festival in 2001, and was condemned and acclaimed for tackling the subject of child killers.

Alaska

Bloomsbury Publishing
Type: Text

Alaska is a tale of prejudice, sex and aggression, a portrait of unabashed racism.

The audience is introduced to Frank as a drug-dealing self-righteous History student. Having dropped out of university, he works at a cinema kiosk, where his colleagues are attracted to his tense and sullen manner. But brought into contact with Mamta, an Asian co-worker, he soon emerges as a hostile white supremacist, supporting his pseudo-intellectual prejudices by twisting history and quoting Biblical mistranslations. The play’s downward spiral of lies and violence unravels Frank’s desperation and obsession, and discusses identity and race in modern Britain.

The play was first performed at the Royal Court Jerwood Theatre Upstairs in 2007.

Albert's Boy

Bloomsbury Publishing
Type: Text

Graham’s portrait of Einstein’s tortured conscience is delightfully tinged with both homely and black humour, in a play that is nonetheless deeply serious about questions of pacifism and necessity.

It is 1953 and Albert Einstein’s house is empty, his cat is missing, he can’t unify the fields of relativity and particle physics and he can’t escape his guilt. When a family friend, newly released from a POW camp, comes to visit, a warm reunion soon becomes a collision of opposing beliefs on the subjects of evil, the winning of wars and the construction of the atomic bomb. Albert’s Boy is both a fascinating biographical sketch and a passionate duet about the ethics of moral responsibility. The play premiered at the Finborough Theatre in 2005.

Alice Trilogy

Bloomsbury Publishing
Type: Text

Alice Trilogy is a haunting triptych of disappointment and gnawing sadness. Three acts, closer to monologues than conversations, show three ages in the life of Alice, an unhappy housewife.

1980, in the afternoon murk of her attic, with whiskey in her coffee, is she losing her grip on reality?

1995, she has summoned a lost love to meet her by the gasworks wall.

2005, at the airport, a tragedy presses to the surface of her internal monologue.

Alice is a mesmerising creation, existing only half in her domestic married life, and half in a dream-like world of alter-egos and strange detachment.

Alice Trilogy premiered at the Royal Court Theatre in 2005.

All the Ordinary Angels

Bloomsbury Publishing
Type: Text

All The Ordinary Angels is a comedy of treats and dirty tricks in the world of ice-cream, as a family business becomes a family feud.

When ice-cream man Giuseppe Raffa decides it’s finally time to come in from the cold and retire, he sets his two sons in competition with each other. The winner will gain the family business; the loser will be left with nothing. Supported and obstructed by Rocco’s wife Bernie and Lino’s girlfriend Lulu, their fight for the hearts and money of the people quickly becomes deadly serious. It is a lively and satirical story of love, competition and selling ice-cream in rainy Manchester.

All the Ordinary Angels premiered at the Royal Exchange Theatre in 2005.

The American Pilot

Faber and Faber
Type: Text

A spy plane crash-lands in a remote valley in a distant country. The local villagers take in the wounded pilot and argue his fate. The American Pilot explores the way the world sees America and the way America sees the world.

The American Pilot premiered with the RSC at The Other Place, Stratford-upon-Avon, in April 2005.