2011-2020

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Plays

13

Bloomsbury Publishing
Type: Text

At the beginning of Bartlett’s political and profound epic play, twelve completely different people across London wake up from an identical, terrifying dream – monsters and explosions, thousands of voices. At the same moment, a young man named John returns home after years away to find economic gloom, ineffective protest, and a Prime Minister about to declare war. But John has a vision for the future and a way to make it happen.

Coincidences, omens and visions collide with political reality in this ambitious and dextrous play, which depicts a London both familiar and strange, a London staring into the void.

13 explores the meaning of personal responsibility, the hold that the past has over the future and the nature of belief itself.

The play was first performed in 2011 at the National Theatre, London.

3 Winters

Nick Hern Books
Type: Text

Tena Štivičić’s play 3 Winters follows a single Croatian family living in Zagreb throughout the vicissitudes of the nation's history between 1945 and 2011. It was first performed in the Lyttelton auditorium of the National Theatre, London, on 3 December 2014 (previews from 26 November) and went on to win the 2015 Susan Smith Blackburn Prize.

The play's action is set in and around the Kos family house in Zagreb, Croatia, in three alternating time periods: November 1945, January 1990, and November 2011 (with the exception of the first scene, which takes place in an office in Zagreb in 1945). In 1945 we see Rose, with her mother, husband and their baby daughter, Maša, moving into a partitioned house at the time of the victory of Tito’s communist partisans. By 1990, Maša and her history-teacher husband, Vlado, are occupying the same house, with their young daughters, at the very moment when Croatia and Slovenia are about to break up the dominant Yugoslavian communist regime. Finally we meet the Kos family in 2011 when Maša’s youngest daughter, Lucija, is about to marry an avaricious entrepreneur and Croatia is on the brink of joining the capitalist club of the European Union.

In an article published on the National Theatre's blog (http://national-theatre.tumblr.com/post/103126868756/tena-%C5%A1tivi%C4%8Di%C4%87-on-3-winters), Štivičić writes: 'The very first moments of inspiration for this play came from stories in my family. My mother’s, my aunt’s, my grandmother’s and even my great grandmother’s when I was very little. These women spoke in very different voices, each with a different set of tools, or in fact, lack of tools to express their circumstances and articulate the plight of their life.'

The National Theatre premiere was directed by Howard Davies and designed by Tim Hatley. It was performed by Charlotte Beaumont, Lucy Black, Susan Engel, Siobhan Finneran, Daniel Flynn, Hermione Gulliford, Jo Herbert, Alex Jordan, Gerald Kyd, James Laurenson, Jonny Magnanti, Jodie McNee, Alex Price, Adrian Rawlins, Sophie Rundle, Bebe Sanders and Josie Walker.

audio 8

LA Theatre Works
Type: Audio

George Clooney, Brad Pitt and Martin Sheen lead an all-star cast in a powerful portrait of an American civil rights struggle, written by Dustin Lance Black (Milk, J. Edgar) and directed by Rob Reiner (When Harry Met Sally, A Few Good Men).

In November 2008, California’s Proposition 8 stripped the freedom to marry away from gay and lesbian couples. Now, two of the nation’s most renowned attorneys, under the auspices of the American Foundation for Equal Rights, have joined forces to challenge Proposition 8 under the United States Constitution. “8” faithfully recreates the progression of the historic 2010 federal trial through original court transcripts and interviews conducted with the plaintiffs, as their stories are brought to life before a live audience. Exclusive interviews include: - Dustin Lance Black and Rob Reiner, playwright and director of “8” - David Boies and Theodore B. Olson, lead attorneys for the plaintiffs challenging Proposition 8 - Backstage interview montage with actors George Clooney, Martin Sheen, Jamie Lee Curtis, John C. Reilly, Jane Lynch, Jesse Tyler Ferguson and James Pickens, Jr. A full-cast performance featuring: Brad Pitt as Chief Judge Vaughn Walker George Clooney as David Boies Martin Sheen as Theodore B. Olson Kevin Bacon as Charles Cooper Jamie Lee Curtis as Sandy Stier Christine Lahti as Kris Perry John C. Reilly as David Blankenhorn Jane Lynch as Maggie Gallagher Jesse Tyler Ferguson as Dr. Ilan Meyer Matthew Morrison as Paul Katami Chris Colfer as Ryan Kendall Yeardley Smith as Dr. Nancy Cott Matt Bomer as Jeff Zarrillo George Takei as Dr. William Tam Rory O’Malley as Dr. Gregory Herek Cleve Jones as Evan Wolfson James Pickens, Jr. as Dr. Gary Segura Jansen Panettiere as Elliott Perry Bridger Zadina as Spencer Perry Vanessa Garcia as Clerk Campbell Brown as Broadcast Journalist Directed by Rob Reiner. Recorded before a live audience at the Wilshire Ebell Theater, Los Angeles on March 3, 2012.

Featuring: Kevin Bacon, Matt Bomer, Campbell Brown, George Clooney, Chris Colfer, Jamie Lee Curtis, Jesse Tyler Ferguson, Vanessa Garcia, Cleve Jones, Christine Lahti, Jane Lynch, Matthew Morrison, Rory O'Malley, Jansen Panettiere, James Pickens Jr., Brad Pitt, John C. Reilly, Martin Sheen, Yeardley Smith, George Takei, Bridger Zadina

Actor's Lament

Bloomsbury Publishing
Type: Text

'A one-act play is like a confession'. So writes Steven Berkoff in the preface to the collection of his One-Act Plays. In his introduction to the collection, Geoffrey Colman, Head of Acting at Central School of Speech and Drama writes:'It is the one-act play, however, that most profoundly and immediately amplifies Berkoff’s extraordinary literary and theatrical voice. . . In discussion, [Berkoff's] eyes quite literally light up at the mere mention of the one-act construct. With relish, he outlines the bare-knuckled immediacy of its form and fatal but inevitable blow. Perhaps the very real pleasure in reading these nineteen one-act plays by Berkoff should not be about comparing them to his other plays at all, but imagining them newly and in performance. Berkoff’s theatre continues to refuse smallness of theme and narrative, and defies those who wish to collapse the place of theatre into reality-inspired ‘true’. A reading of these pieces will require the need for a performance alertness, ‘real’ at its very threshold.'

In Actor's Lament we meet John, an actor who although 'clever, cynical and witty' is nonetheless bitter as he moulders unappreciated in his career, and his age ticks along from forty to fifty.

Advice for the Young at Heart

Bloomsbury Publishing
Type: Text

It’s 2011 and 1958 and London is rioting. Candice is ordered by her gang-leading boyfriend to lure Clint into a honeytrap. Haunted by her grandfather’s mistakes, she stands at a crossroads. Will she do as she’s told, or will she learn to be true to herself before history repeats itself?

A modern tale for riotous times, commissioned and developed by Theatre Centre, Advice for the Young at Heart examines 2011’s unrest against the background of the 1958 race riots, exploring themes of race, family and misguided loyalty. A new play for young people aged 14+.

Advice for the Young at Heart was first performed at Redbridge Drama Centre, London, on 12 September 2013.

After The Rainfall

Bloomsbury Publishing
Type: Text

Throughout history, the study of ants (myrmecology) has been used as an analogy for human behaviour. This piece uses myrmecology as a prism through which to view the present day. Navigating the arid Egyptian desert, continental Europe, the British Museum and a quiet village green, this piece is a patchwork of multidimensional narratives about the aftermath of the Empire.

curious directive conjure a world where multimedia, movement and sound unpick Britain's relationship to artefacts, mining and the secret life of ants.

An epic, thumping, passionate story asking questions about the relationship between our past, present and into eternity, After the Rainfall was a collaboration between curious directive, Watford Palace Theatre and Escalator East to Edinburgh and was first performed at the Edinburgh Fringe in 2012.

All New People

Bloomsbury Publishing
Type: Text

The dead of winter, Long Beach Island, New Jersey. Charlie has hit rock bottom. Far removed from the rest of the world, this perfect escape is interrupted by a motley parade of misfits who show up and change his plans. An eccentric English real estate agent desperately trying to stay in the country, a fireman, and a hired beauty all suddenly find themselves tangled together in a beach house where the mood is anything but sunny.

All New People is the hilarious and poignant playwriting debut of Zach Braff, writer and director of the acclaimed film Garden State which was nominated for the Writers Guild of America Award for Best Original Screenplay and won the Independent Spirit Award for Best First Feature.

The play premiered at the Tony Kiser Theatre, New York City on 25 July 2011 in a production by Second Stage Theatre, and opened in the UK at the Manchester Opera House on 8 February 2012.

audio American Night: The Ballad of Juan Jose

LA Theatre Works
Type: Audio

In this wild satire, a Mexican immigrant has a feverish dream while studying for his American citizenship exam. He meets a parade of characters ranging from Sacagawea to Teddy Roosevelt to Jackie Robinson, who take him on a mind-bending, hilarious, and poignant trip through American history.

An L.A. Theatre Works full-cast recording, featuring Keith Jefferson, Richard Montoya, Todd Nakagawa, Sean San José, Kimberly Scott, Herbert Siguenza, Tom Virtue, Libby West, and Caro Zeller.

Directed by Shana Cooper. Recorded before a live audience.

Featuring: Keith Jefferson, Richard Montoya, Todd Nakagawa, Sean San Jose, Kimberly Scott, Herbert Siguenza, Tom Virtue, Libby West, Caro Zeller

audio And the Sun Stood Still

LA Theatre Works
Type: Audio

Dava Sobel’s thoughtful play brings to life the story of Nicolaus Copernicus, the Renaissance astronomer and mathematician who proposed the heliocentric model of the universe in which the Sun stands at the center. Plagued by self-doubt and threatened by religious censure, Copernicus resisted the publication of his work until just before his death in 1543. And the Sun Stood Still follows Copernicus in those final years as he works to complete his research with the help of Georg Rheticus, a young disciple from Wittenberg, Germany. Includes a conversation with playwright Dava Sobel, author of A More Perfect Heaven: How Copernicus Revolutionized the Cosmos. An L.A. Theatre Works full cast recording, featuring Robert Foxworth, John Vickery, Kate Steele, Michael Kirby, and Gregory Harrison. Directed by Rosalind Ayres. And The Sun Stood Still is part of L.A. Theatre Works’ Relativity Series featuring science-themed plays. Major funding for the Relativity Series is provided by the Alfred P. Sloan Foundation, to enhance public understanding of science and technology in the modern world.

Featuring: Robert Foxworth, Gregory Harrison, Michael Kirby, Kate Steele, John Vickery

The Artist Man and the Mother Woman

Bloomsbury Publishing
Type: Text

Geoffrey Buncher is an art teacher. Until now his only meaningful relationship has been with his mother, Edie, who doesn't want her 'wee man growing up too fast'. But when one day he reads in the newspaper that he's working in one of the top ten sexiest professions, he decides to advertise in the local papers for a wife.

Straying outside of his comfortable existence, where his mother continues to buy her middle-aged son's Ribena, Geoffrey enters a frightening world of adulthood and female companionship that he struggles to adjust to. Attraction manifests itself in warped and disturbing ways and leads to a terrifying conclusion.

Written in Morna Pearson's trademark 'lurid, post-modern Doric' (Scotsman), and with hints of Joe Orton and Harold Pinter, The Artist Man and the Mother Woman is a wickedly funny, deceptively simple, surreal portrait of a spectacularly dysfunctional relationship.

The world premiere was staged by the Traverse Theatre Company, Edinburgh on 30 October 2012, in a production directed by Orla O'Loughlin.