Daughters of the Revolution

DOI: 10.5040/9781784600907.11000026
Acts: 2. Scenes: 9. Roles: Male (28) , Female (19) , Neutral (0)

David Edgar's Daughters of the Revolution is one part of a two-play cycle under the collective title Continental Divide, set against the background of a bitterly fought American governor’s election in an unspecified Pacific-coast state. Daughters of the Revolution centres on characters in the Democrat camp, while the other part, Mothers Against, examines the election from the Republican perspective.

Across the two plays, Edgar explores what has happened to the revolutionary fervour that took hold of both the Right and the Left in the 1960s, and how it has been carried over into the politics of the twenty-first century.

Both plays were jointly commissioned and produced by Berkeley Repertory Theatre and the Oregon Shakespeare Festival. Daughters of the Revolution was first performed in the Angus Bowmer Theatre, Ashland, Oregon, as part of the Oregon Shakespeare Festival on 1 March 2003 before transferring to Berkeley Repertory Theatre, with performances from 6 November 2003.

Daughters of the Revolution is an expansive epic theatre play about the diaspora of 1960s student radicals. Michael Bern is a Community College professor about to land a big promotion due to his connections with the Democratic candidate for governor, Rebecca McKeene. As a birthday present his partner, Abby, has tracked down his old FBI file relating to his days as a political activist in the 1970s. This leads him on a mission to find the informer who betrayed his revolutionary cell in 1972. Along the way he meets an ex-Black Panther, an old Marxist turned fervent right-winger, and discovers that his old friend Rebecca may have a dirty little political secret of her own.

The premiere at Oregon Shakespeare Festival was directed by Tony Taccone and designed by William Bloodgood, with a cast including Terry Layman as Michael Bern.

The play received its UK premiere at Birmingham Repertory Theatre on 6 March 2004, with the original American cast directed by Tony Taccone. It subsequently played at the Barbican, London, as part of their BITE Festival, with performances from 20 March 2004.