edited by Michael Neill
A collaboration between Jonson, Chapman and Marston, Eastward Ho! is a masterpiece of city comedy. Unique among the ‘coterie’ city comedies written for boy players, Eastward Ho! gives all classes a full satiric treatment simultaneously didactic, ironic, and triumphantly comic.
Touchstone is an upright London citizen, a goldsmith. He has one modest and one ambitious daughter, and one righteous and one disreputable apprentice. He marries his respectable daughter to his respectable apprentice, but his wilful daughter is determined to become a lady and marries herself off to a lord of doubtful finances, while his other mercurial apprentice casts aside his indentures in order to climb the social ladder. A series of chaotic accidents ensures that virtue is rewarded, and ruthlessness comes to grief – receiving a drenching in the muddy Thames.
Eastward Ho! was performed at the Blackfriars playhouse in 1605. The play may well have been provoked by Dekker and Webster’s Westward Ho!, produced by Paul’s Boys in 1604; Eastward Ho! parodies the earlier play’s form.